 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |
| | | | | | | | | | | | | | | | | | |
| We work to understand the function of commercial spaces. We know they need to work hard and will on the whole have a lot of use. We believe a head office or workspace is the home of the brand and should resonate the brands culture with employees. We design spaces that connect with both employees and visitors. | We believe that a well designed space can help any business or organisation do better work. By taking time to understand our clients we design to suit the way they work. We have created reception spaces, workplaces, and conference and training facilities. | Our team are skilled at producing, feasibility studies, planning and blocking, space planning, producing drawing packs for tender, navigational signage packages, brand graphics within the environment and building signage. | Royal Doulton We were approached by Royal Doulton to help them design their new head office following their acquisition by Wedgwood. We developed a materials palette to reflect the brand palette that had white at its core. | We encouraged the team to display fascinating objects from its archive to illustrate the company’s innovative approach to product development. | We chose to create a unique three dimensional wall tile based on a Minton floor tile that was manufactured in the Doulton factory. As part of the project we created a reception, work and showroom spaces. | Royal Doulton The visitor centre at Royal Doulton’s head office allows customers to discover the brand’s rich and complex history. | We used archive materials to design a contemporary graphic overlay. The detailed evolution of The Potteries in Stoke on Trent was presented through an organic timeline. | The exhibition had to incorporate three distinct spaces to present Royal Doulton, Minton and Royal Albert. Visitor dwell times are so short copy was kept simple and concise. | National Trust - Ravenscar At Ravenscar we did everything. From the first concept sketches, copy writing, photography and exhibit collation, to final build and installation. | We like to get our hands dirty whenever we can! From collecting the shale from the quarry to gathering fossils on the beach, we'll get as involved as you need us to! | National Trust - Gibside We always try to build flexibility into our exhibits. There's nothing worse than having to reprint a massive panel when you want to add something new. Simple interactives allow the kids to discover more, without the need to call the IT guy every five minutes! | The skeletal timber framework was designed to allow as much of the original building to be viewed by the visitor as possible. The exhibition contains graphics, content and interactives for kids. | Barclays Prime location destinations for the more discerning Barclays customers. We created first-class lounge-style environments at Canary Wharf, The City, Knightsbridge and Paris. | Barclays From pencils for meeting rooms to 122 brand walls across 15 floors, we expressed the Barclays brand, at appropriate volumes, through the new Worldwide Headquarters at Canary Wharf. | Barclays We worked with Jeff Banks on a whole range of staff uniforms, from the security guard at the front door to the hostess on the 31st floor. One lump or two... six designs, 7,000 mugs; one for everybody. | Clifford Chance After being recommended by Barclays, we were asked to look at branding the Clifford Chance Headquarters at 10 Upper Bank Street. | Following this we were invited to pitch on the Academy...we won! We looked at ways of instilling confidence in its value as an area for training, and how to create an inspirational destination. | Clifford Chance We reconfigured the space to create a hub to both meet in and navigate from. To date, the Academy team are thrilled with their new environment, as are the delegates. Feedback is that people can't wait to get there! | Clifford Chance We used symbols of listening, learning and growth as the mood for the interior graphics to create motivating environments for delegates. | Clifford Chance We used symbols of listening, learning and growth as the mood for the interior graphics to create motivating environments for delegates. | Wellcome Trust We worked with the existing building materials’ palette to produce areas of interest and information within the Ground Floor and Virtual Library of the Wellcome Collection building. | We created destination information points within the large space. The individual elements contained touchscreens and navigational signage but retained the feeling of elegance. | Subtle variations between the building materials and the new elements created a point of difference, whilst retaining the use of high quality materials, such as high gloss surfaces and glass. | Wellcome Trust Within the space overall brand touches were used in varying volumes. In low brand areas, such as the café, we designed a series of beautiful biomedical related illustrations and printed them directly onto table tops, so that a thread of Wellcome is always present. | English Heritage For the Dover Castle project we designed a mix of site orientation panels, interactive elements and interpretation to communicate the function and relevance of the Admiralty Look Out during the 1st and 2nd World Wars. | Authenticity was paramount; panels were printed with concrete textures and materials used were functional and in keeping with what would have been used during the wars. | The exhibition is an exciting representation of the past where visitors can ‘learn by doing’ with a series of interactive activities. | English Heritage For the Dover Castle project we designed a mix of site orientation panels, interactive elements and interpretation to communicate the function and relevance of the Admiralty Look Out during the 1st and 2nd World Wars. | Authenticity was paramount; panels were printed with concrete textures and materials used were functional and in keeping with what would have been used during the wars. | The exhibition is an exciting representation of the past where visitors can ‘learn by doing’ with a series of interactive activities. | The National Trust The 18th Century stables at Nostell Priory are really beautiful and well preserved. We wanted to add a simple layer of interpretation that allows the visitor to discover this amazing National Trust property for themselves. | Children are encouraged to role play and discover more about the different jobs carried out in the stables. We collated a content framework and wrote copy for this permanent exhibition, ensuring the tone of voice was correct for the target audience. | We delivered a complete solution to a fixed budget, including a full size plywood horse! | Wrangler We had a lot of fun working with the Wrangler team on their series of summer events. The design encouraged visitors to hand over their old denim in exchange for new product. A soft seating area was incorporated so that people could relax and chill out, which is what they did! | Lee Design, manufacture and installation of graphics for the European launch event, which included commissioning Antwerp based graffiti artist PNK to create two huge pieces to sit as a back-drop to the seasonal product direction. | It was all hands on deck to pull together this event in Belgium. Over night we turned a factory into a catwalk venue. |
|
|
